Exploring the wonders of creation through a 50mm lens...and other lenses too.

This is the first in a series of long-exposure sunset photo I’m going to share with you, all of which were taken in June of 2019 at Milford Lake, Kansas. Each year since 2012 our family has spent a few days at a resort on what is, apparently, one of the largest lakes in Kansas and it has yielded some really nice photo opportunities in the past. This year I wanted to try something a bit different and do some long exposures, which were only made possible thanks to the purchase of a cable-release for my Fuij X100F. It’s a simple, no-frills piece of gear I had been thinking about buying for quite some time, and I’m so glad I finally got one. I don’t see myself using it every day, but it sure was fun to see the creative possibilities it unlocked when shooting long exposures.

This was shot on the evening of June 22, and earlier in the day my kids, some of their cousins, and I came across this scene while out walking around:

What you might not know from looking at this is that there should not be any water here at all. When we visited the resort this year the lake was at almost-historic levels, and everything in this picture used to be either dry ground or a parking lot. In fact if you look really closely you can see, just to the right of the tree, a metal railing leading downward alongside what used to be a staircase. So yeah, it was kind of an interesting year at the lake.

When I saw this scene with a tree in the middle of what looked like a lake I thought it would make for an interesting picture, so I returned that evening as the sun was setting and tried to capture in my camera what I was seeing in my mind. Calculating exposures when shooting in Bulb Mode is a little tricky, but I started by setting my aperture at f/16, activating the three-stop ND filter in my camera, and metering the scene based on a 30-second exposure. When that was showing about one stop of underexposure I switched to Bulb mode and left the shutter open for 77 seconds, which smoothed out any motion in the water along with giving the sky a bit of a painted feel, with clouds showing a bit of a wispy look. The slight breeze also gave the tree leaves a bit of a blur which I didn’t like too much, but it’s not nearly as bad in this shot as it was in some of the others I got.

All in all I had a lot of fun taking this picture, and it set the stage for two more long-exposure images that I would go on to capture over the next two nights.

Once again I have my friend Gina to thank for this photo, who has given me several other picture ideas over the years and whose input I always appreciate having when it comes to photography. With all the rain we had this past spring there were all sorts of animals around that we don’t normally see, or perhaps just don’t notice, especially the creepy crawly variety. As we were chatting at work one soggy morning in May she asked if I had my camera with me and suggested that I go out and take some pictures of snails that were hanging around on a particular sidewalk near our building. I didn’t, but I thanked her for the suggestion and the very next morning I showed up with my Nikon D750, 50mm lens, and (you know it) my set of close-up filters to see what I could find.

Sure enough, I soon found a whole rout of snails so I got out my camera, attached the +10 filter, and set to work. The first thing I realized is that height was definitely going to be an issue: my camera was too far off the ground to get a really good look at any of the snails head-on! I would have liked to get some shots that were more at eye level, but that wasn’t really an option given the equipment and time I was working with, so I made the most of the situation anyway. I don’t normally use my +10 filter because it’s just too close for most situations I encounter, but it proved quite adept at capturing pictures of snails. I was able to get really close to this one, and others, and shot with a fairly small aperture of f/8 to get a wide enough depth of field so you could actually see what was going on. And even then, as you can see in the picture, the total in-focus area was only as wide as a few grains of sand! Thankfully these snails moved really slow or else it would have been a total wash.

At one point I went so far as to pick up one of the snails, set it on a leaf a few inches off the ground, and wait for it to come back out of its shell for a photograph. Sadly it did not oblige, though I can certainly understand its trepidation, and the best I could get in that scenario was a picture its shell sitting on the leaf:

While this picture was a little more colorful it was also a lot less lively, and in the end I decided I would rather have a photo that shows the actual snail and not just its portable abode. But who knows…one day maybe I’ll get a picture that does both :)

It’s been a rough couple of months here in the Midwest, and hopefully by the time you read this the sun will be shining and the waters will have receded a bit! We capped a chilly winter with a very wet and rainy spring that saw rivers well over their banks, lakes swelling, and farmland inundated with more water than it could handle. The day after I took this image we got yet another all-night downpour and Theta Pond, which was right behind me as I shot the picture, was more like Theta Reservoir and a little waterfall was pouring onto University Avenue because of it. And thus the name of the picture reflects the conditions in which it was shot, which was an abnormally sunny day in the midst of lots of cloudy ones.

My inspiration for this photo was a few images that I recently posted which I took with my niece when she was in town. It’s weird how the simple act of going out to take photos of flowers can be so soothing, and a good way to slow down and enjoy the simple things in life. There’s flowers all around, especially at this time of year, and yet how many times have I thought to myself “There’s nothing to take pictures of?” (Answer: way too many times.) So I figured I would do just that, and it was a nice way to slow down for a bit which also resulted in a cool photo.

As is normal for me when I use my X100F I shot this in JPEG and used the Velvia film simulation so I wouldn’t have to do a lot of RAW editing. I shot wide open at f/2.0 to get a bit of foreground/background separation, and I think (though I’m not exactly sure) I used the electronic shutter so I could get a proper exposure despite shooting wide open. I used to activate the ND filter for situations like this, but that often slowed down the focusing so I’ve been using the electronic shutter instead and for the most part it works quite well, especially outdoors.

I’m not sure why, but I kind of have a fascination with photographing mushrooms. They’re not around for long, and when you get down low to the ground to take a picture it feels a bit like you’re sneaking a peek into some kind of hidden kingdom. You don’t see them out in the open very often, and something about the conditions in which you often find them (i.e. musty, damp, kind of dark) just seem kind of…different. When my wife and I took our kids to the local botanic garden for their annual May Day event we were about to head to one of the art pavilions when I spotted this mushroom poking through some mulch near the base of a tree, so I told them to go on without me for just a minute.

I had (what else?) my Fuji X100F with me which isn’t super sharp at maximum aperture when photographing subjects up close, but in this case I cared more about blurring the background than getting an ultra-sharp image, so I didn’t care too much about the technical details and just went all the way to f/2.0. I shot this in JPEG, as I usually do with my Fuji, and used the Velvia film simulation which is really well-suited for nature photography because it has a rich but not overly-saturated color palette. I positioned the mushroom slightly off-center to get some greenery behind it, and even though there’s some weird smudging along the left side of the stem I’m really happy with how it turned out. It’s got a nice sense of time and place, and the overcast sky lent a nice even lighting to the whole scene.

I think one of the things that draws me to these types of pictures is the transient nature of the subject. If I would have come back to the same spot the next day, the mushroom would have been gone. These things come and go so quickly you really don’t have much time to photograph them, which means you get a nice little slice of time captured on camera that’s somehow different from a lot of other pictures.

In last week’s post I wrote about how the flower photo which was showcased came about as a result of a short drive down the street with my niece to experiment with, and learn more about, photography. This picture also came from the same event, and it’s also an illustration of how sometimes people can see things that you might not notice even though they are right in front of you.

After my niece and I spent about 20 minutes taking pictures of purple tulips we got in my car and drove down the road a little ways to see if there might be any other scenes worth photographing. The sun was rapidly descending on the horizon and after going about a half mile and coming up empty I turned around in a parking lot and we headed for home. That’s when she spotted this lone tulip poking up in the middle of a boulevard, all by itself, and excitedly told me to pull over so we could get a shot. I didn’t even realize this flower but she had no trouble spotting it, so I found a safe spot to park and we ran over to see if we could get any pictures before we lost all the light we had.

As we looked at the scene from different angles and played around with different apertures (She had my Nikon D7100 + 50mm lens, I had my D750 + 85mm lens) I noticed something that we could use to our advantage despite the quickly-dimming sunlight: headlights from passing cars. I showed her how, by getting close to the flower and shooting wide open, she could transform headlights into big blurry balls of orange and yellow. You can see the effect in the photo above, which is quite pronounced even when shooting at f/2.8 instead of f/1.8, and it was neat seeing her eyes light up when she realized that these effects were a result of controlling her camera, not adding a filter on her camera. Not that there’s anything wrong with the latter method, but sometimes it’s just kind of neat to learn that you can do it yourself :)