Exploring the wonders of creation through a 50mm lens...and other lenses too.

I don’t like taking pictures that are basically carbon copies of earlier photos, but I do enjoy paying homage to previous photos by way of making images that are inspired by their forebears. The photographic pronoun to a visual antecedent, if you will. When I shot this picture (about three minutes before last week’s photo, as a matter of fact) I specifically had another shot on my mind which I took almost exactly three years earlier. What attracted me to the initial image from November 2016 was a sense of color and backlighting, and I liked the contrasting colors too. So when I came across a similar scene near Theta Pond I wanted to use some of my lessons I learned taking the earlier photo in what was, hopefully, some new and interesting ways.

First of all, the subject. The original had a wide blade of yellow grass slicing vertically through the image, and when I saw a yellow leaf doing kind of the same thing I thought it would make for a similarly interesting picture. The original image also has a heavy mix of subject and background colors, and as such I wanted the background to play a key role here as well. I stood on my tiptoes to get this shot, with the goal of getting the balls of light (which was sunlight being reflected off of car headlights on University Avenue) in just the right spot so as to complement the leaves. I don’t know that it entirely worked, and I did end up with one image that I think is better in terms of subject-and-background composition, but in that one the leaf was just a little out of focus. So in the Rejected pile it goes!

I wouldn’t say that this picture is better than the original, and in some ways I actually prefer the 2016 incarnation, but I was making a clear attempt to take a picture based on lessons learned from three years prior. Sometimes the things I do when taking a picture are quite unintentional, or perhaps more along the lines of muscle memory, but other times I specifically try to incorporate things I have picked up along the way. If it works, cool. If not, no big deal. I still got to use my camera, and that’s always a win :)

Just as I don’t usually take photos with specific days or times of the year in mind for posting, I also don’t usually take them with the intention of showing them together as a specific group. This changes from time to time, like when I did my series of sunset images last summer, but for the most part I just post pictures here on the blog in no particular order and with no real rhyme or reason. However, when I shot this image I thought it would serve well as somewhat of a companion piece to last week’s photo of a magnolia seed pod.

As often happens with my Weekly Fifty photos I was out on a short walk around Theta Pond on campus and I saw this husk resting on a stone ledge, having long since served its purpose of creating seeds for eventual dissemination. Magnolia flowers, and their resulting central pods, are really a sight to behold but I don’t often think of these remnants as being photogenic or noteworthy at all. However something about this rather unremarkable scene gave me pause, and I’m glad I stopped to investigate.

I had my D7100 and 50mm lens with me at the time, and after using that thing combination for over six years I think my only real complaint, in terms of daily photographic use, is that the rear screen doesn’t flip out. Most modern cameras offer this feature and while Nikon DSLRs aren’t exactly known for their prowess with Live View (that’s what their new mirrorless Z system is for!) it is useful to compose with the rear screen from time to time. And when that happens, a flip-out screen sure would be nice. Such was not the case here so I made do with what I had, and despite having to contort myself at kind of an awkward angle I think I got a pretty good shot nonetheless.

I shot this at f/1.8 because I wanted maximum background blur, and really I think that’s the standout feature of this picture: not the subject, but the background. It’s almost like the purpose of the subject is specifically to draw your eye to the greenery behind it, and that’s something I don’t often think about when composing photos. I tried a few shots at f/2.8 but it just didn’t give me that silky smooth look I was going for (unlike last week when I specifically chose f/2.8) and I actually did end up moving the seed pod just a bit so I could get that brown curled-up leaf in the shot as well.

In looking through some of my photos from Fall 2019 I realized I didn’t have too many of one of my favorite subjects, that of magnolia seed pods as they begin to constrict and force out the beautiful red seeds that lie within. I’ve posted several images of these seed pods over the years here on Weekly Fifty and maybe that’s why I wasn’t all that interested in taking more pictures of the same subject again. It felt like a been-there-done-that scenario, and I don’t want to shoot the same pictures of the same things over and over.

When I went out for a short walk around Theta Pond in mid November I certainly didn’t plan on taking a picture of yet another magnolia seed pod. In fact, most of the trees had long since shed their seeds which eliminated even the opportunity of getting the same type of picture I had gotten many times before. I had my D7100 and 50mm lens just in case I saw something interesting, and after some rather boring photos of geese wandering around I found this one single seed pod that had not yet fallen to the ground, and realized that I actually could make something interesting and new from a very familiar subject.

The thing I realized I could do to make this picture a bit more compelling, as opposed to just a bunch of red seeds sticking out of a brown husk, was to adjust my position (as well as the aperture of my lens) such that the background would be more than just blue sky or green leaves. Far above this seed was a cypress tree spreading a beautiful canopy of brown feathers across the sky, and I realized that was the key to the whole operation.

This seed pod was about ten feet in the air which meant I had to use Live View, and on a D7100 (remember, this camera came out in 2013) that’s not exactly a task that requires minimal patience. It’s slow, clunky, and choppy and forget about using a zoomed-in view to check focus. As such I decided to shoot at f/2.8 in order to get a little more room for error in terms of depth of field, which turned out to be a good thing because the shots at f/1.8 had a background that was just a giant brown blurry mess. It wasn’t pleasing to look at in the least, whereas the bokeh was rendered much more beautifully at f/2.8.

See those white parts on the left–the balls of blurry light that seem as if they frame the seed pod? Yeah, that was completely intentional on my part. After about a dozen shots I discovered that I could position myself in such a way as to make the seed pod show up between those highlights, as well as the one on the right, and the result is actually quite similar to my mockingbird picture from last week. A good picture isn’t just about the subject, but the other elements in the frame that serve to augment the image. That’s what I tried to do here and I think it worked pretty well.

As I mentioned in my photo commentary last week, I don’t usually schedule specific pictures for certain days just like my photo from last week I’m making an exception here. I didn’t take this picture so I could use it as the first image of 2020, but as I was looking through my image collection I thought it might be an appropriate way to ring in the new year. So here you go :)

I shot this back in the fall of 2019 in mid afternoon on a sunny day, and the composition was a bit different for me because of how the light hits the flower. Typically I don’t use backlighting very much but I thought it would work pretty well in this case, and think it makes the resulting image look a bit more interesting and dynamic as a result. If the sun were behind me it would have illuminated the entire flower evenly, but as such I like the white glow around the edge and, as a bonus, the fun highlights behind it in the background. Aperture selection on my 50mm lens here was a little tricky since I knew I wanted a nice blown-out background, but I also wanted the flower to be fully in focus and f/1.8 would have made this almost impossible. F/4 seemed like a bit too far the other way, so I compromised with f/3.3.

I think it worked out fairly well though I must say the background, while being bright and colorful, is a bit too busy and cluttered for my taste. In any case I hope this flower helps bring a smile and sense of optimism to you as you start 2020, and here’s to a year full of new life and new possibilities :)

Cheers!

First of all…Merry Christmas! I hope this day, and this season, finds you and your family happy and well, and may you be given peace and love as we celebrate the birth of Christ. John 3:16 says that “For God so loved the world that he sent his only son, that whoever believe in Him shall not perish but have eternal life.” How incredible to think that the baby born in a manger over two millennia ago, because there was no room for his family at the inn in Bethlehem, would one day be the savior of all mankind. Praise God for His saving grace, and for cleansing us from sin by the blood of his own son.

I usually don’t plan my pictures here on Weekly Fifty to coincide with any particular time of year, but for this one I did want to make it a little special due to the nature of the picture. It has nothing to do with Christmas, but this picture does have a great deal of meaning for me personally. Years ago one of the first pictures I took with my Nikon D200 and 50mm lens which made me realize that yes, even a novice like me could produce interesting photographs, was a mockingbird sitting on a shrub. It was the first photo I ever used here on Weekly Fifty (well, technically the second, but the first was just a snapshot with my Panasonic CZ7 pocket camera) and I’ve often wished I could go back and re-shoot that image knowing what I know now.

Not long ago I had that very opportunity.

I was walking across campus with a friend of mine on the way to a meeting when I came upon a very similar scene from that shot I posted more than six years ago: a mockingbird hanging out on a shrub. I didn’t have my camera with me but I took note of the scene, and the next day I brought my D7100 and 50mm lens on the off-chance that the bird would still be there. And it was :)

I tried to be a little more intentional this time around, but as with all wildlife photography there wasn’t much about the situation that I could control. Still, I took note of things like lighting, background, f/stop, and even background elements like students walking past, to create what I think is a far superior image. I shot some at f/2.8 and then a few more at f/1.8, moving myself around the hedge slowly and carefully so as not to startle the bird. It regarded me with mild curiosity and hopped around a bit, but didn’t seem to mind my presence too much. I was really hoping to catch the light in its eye, which I was thankfully able to do once it turned its head just so, and I also moved myself such that the lights coming through the trees in the background would create a nice pleasing blur.

This was a really fun shot to take and I’m so glad I got to essentially revisit one of my favorite scenes from so many years ago. It was an enjoyable example of how much I’ve learned, but also a good reminder of how much I still have left to figure out :)

Merry Christmas to all of you, and I hope you had a good 2019. Here’s to 2020 and many years beyond.

To wrap up 2019* I wanted to take a look back at the past year, and even farther, and talk about where things with Weekly Fifty have been, where they are now, and where I see them going in the new year and beyond.

*I know we still have almost two weeks left in the year, but I figure this is close enough :)

Sometimes I really wish I had a proper macro lens. There aren’t too many occasions on which it would be useful, but this was definitely one of them. I made do with my usual 50mm lens and close-up filters, but good gravy I think an actual macro lens would have been so much better! Maybe someday :) In the meantime I have fun with my cheapo close-up filters and I do enjoy getting shots like this, if nothing else for the sheer challenge of it all.

The sun was going down one evening early in November and I had just come from inside the house with a garbage bag full of trash that was bound for the bin, but I stopped short when I saw this wasp sitting on the black lid. He was just sort of minding his own business and didn’t seem interested in stinging anyone, so I ran inside and grabbed my D7100, which already had my 50mm lens attached, screwed on a +10 filter, and ran back (though tiptoeing the last few yards) to see if I could get a shot of this little bug before he flew away. I didn’t know how long I had to take the shot so I tried to act quickly, and thankfully the results were decent enough when it was all over.

I don’t often use my +10 filter because the depth of field is just too unwieldy, but I knew that for a shot like this it was going to give me a lot better results than a +4 filter. I also don’t like using wide apertures with a +10 filter because, again, depth of field. But because there wasn’t much sunlight left, and because I was shooting with my D7100 and not my D750 (and, hence, couldn’t raise the ISO very much without the picture becoming mired in digital noise) I ended up shooting at f/4. In fact, I shot this scene in Manual as opposed to Aperture Priority because I wanted to make sure I was getting the precise results I was hoping for. My final exposure settings were 50mm, f/4, 1/125 second, ISO 400, a little energon, and a lot of luck.

I used Live View as well, which is super unwieldy on the D7100, but it was the only way I could be sure of getting anything close to in focus. I knew I wanted the eye to be as sharp as possible so that was my main goal, but this was made even more tricky since the wasp wouldn’t hold still and kept on crawling, slowly, around the textured trash can lid. I wish the lighting would have been just a bit better but in general I’m pretty happy with how this turned out, and it was fun to get the chance to use my (very limited) macro gear for something a bit different than I usually shoot.

I’m not really sure what to think about this one. On one hand, it’s kind of a neat picture of a red leaf in the middle of a sea of yellow and orange, but on the other hand it really wasn’t anything special when I shot the photo. It was just a plant I happened to walk by on campus one day, and since I had my camera and 85mm f/1.8 lens I figured I might as well try to take a picture. I knew I wanted the red leaf to be sharp and focused, but it was really tricky to nail down because of a stiff breeze that kept confounding matters.

I usually just shoot through the viewfinder on my DSLRs because it just works well, and I don’t need a live histogram or focus peaking or other benefits that you get when shooting Live View. Not to mention Live View on my D7100 (which I used to take this picture) is pretty spotty. It’s slow to activate and the screen has a noticeable jelly effect where the image kind of wobbles around, much like you would find on an old cell phone. Which kind of makes sense considering the D7100 came out in 2013 :)

Anyway, I did actually need Live View here because nailing focus was so tricky. With all the various leaves in the picture swaying back and forth my camera had trouble nailing and locking focus. I switched to Live View, nailed focus as best I could, and fired off a few frames. If you zoom in really close you’ll see that the red leaf is juuuuuust a little blurry but it’s nothing that would ruin the image, and in the end I got a picture that I’m pretty happy with despite a few imperfections.

Last year the annual monarch butterfly migration kind of caught me off guard, so this year I was determined to be a little more prepared when the orange-winged creatures started fluttering through town. I used a migration tracker map to figure out when a good time would be to start looking, and made sure to have my camera with me and ready to go. The day I shot this, in early October, was a bit warm after a few rather chilly afternoons but despite the nice weather and my map-based planning I really didn’t see many butterflies at all when I took a stroll through campus after lunch. I had my D7100 and 85 f/1.8 lens which I knew would help me get a good shot without getting too close to any butterflies and, hence, scaring them away, and it would have worked great if only I had seen more butterflies. Alas, I think I only saw one or two and they weren’t near enough to get a good shot, and the few times they landed in what would have been good photo locations I would have had to trample the flowers just to get near.

As I was heading back to my office I finally found a nice large monarch butterfly hanging out on some flowers near the formal gardens in front of our student union and immediately started firing away. I didn’t know what would come of the pictures since the lighting was less than ideal and there were students walking around, but as the saying goes you miss 100% of the shots you don’t take. (“‘Wayne Gretzky’ – Michael Scott”) I set my aperture to f/2.8 so I could get a blurry background with a depth of field that was a little more forgiving than f/1.8, and managed to get about a dozen pictures before the butterfly went on its way.

I didn’t think I captured anything worth saving at all until I saw this particular picture in my Lightroom library, and the more I looked at it the more I liked it. The wing in the foreground is completely sharp, the colors pop and bring life to the scene, and the student in the background (which my mom said looks like an alien) lends a sense of kinetic energy that I didn’t plan on at all. The human/alien form also helps you, the viewer, understand a bit more about the angle from which this was shot: it was clearly low to the ground in order to have that type of view of the person. This photo turned out much better than I had planned, and on Instagram one of my followers asked if they could use it as the featured image in an article. So that was cool. I think my favorite part of this picture was that it came out of nowhere and I didn’t think anything would amount from it at all, but it turned out to be one of my favorite shots I’ve been able to get recently :)

I don’t really know how I got this shot. I mean, I know how I got it in a mechanical sense, but the fact that I was standing right in the middle of a venn diagram consisting of so many disparate elements still kind of boggles my mind.

I leave for work about the same time each morning: 7:10 to 7:15am. That means twice a year there is a window of about one week where I have the opportunity to get shots of the sunrise, barring any atmospheric troubles like stormy or overcast skies. On the morning of September 19, 2019, I could see a bit of fog left on the ground as the sky turned from black to gray while I was getting ready for work, so after hugging my wife and kids I grabbed my Nikon D750 and 70-200 f/2.8 lens to see if I might be able to catch something in the way of a foggy scene on the way to work.

Normally I bike to work but on this morning I had to drive, so used the opportunity to turn east out of my driveway instead of west. Two blocks later I was looking out over a field on one of the north/south streets that passes along the edge of town, and I pulled over to get this shot of the fog hovering around the low-lying grassy areas.

I didn’t really know what type of picture I was going for but this seemed fine, and I was glad I had the chance to capture this scene right as the sun was coming up. So I got in my car and went on my way only to pull to an almost-screeching halt about 100 yards later. On my left was one of the most beautiful sunrises I could recall seeing, partly because of the brilliant oranges reflected on the clouds but also because of the foggy mist in the foreground. I ran across the street with my camera in hand, dialed in a few settings, and started shooting.

I zoomed in all the way to 200mm and shot at f/11, ISO 100, but even then the sun was so bright that the picture was overexposed and I knew I’d never be able to recover enough highlight information to get a good image. Rather than adjusting my settings manually (I almost always shoot in Aperture Priority with Auto-ISO) I dialed in a -2EV exposure compensation which got me just the right image. The foreground was almost completely black but the sun and the sky were properly exposed, and then with a little fiddling on the RAW file in Lightroom I was able to get just the right end result. Not a minute later and this scene was entirely gone, with the sun too far up on the horizon and the fog beginning to clear, and I was so incredibly grateful I was able to get the opportunity to shoot this. It was a good reminder that God’s mercies are new every morning, and a good reminder to thank and praise Him for each day we have on this earth.