Horizon
If you’re tired of wind turbine photos, don’t worry: this is the final one I plan on posting. Maybe. Hopefully. Who knows. In any case, here’s yet another photo of the Kansas prairie and some wind turbines, but just like the others I have shared recently, this one is distinctly different in a way that I haven’t yet been able to photograph until now. In a way this isn’t a picture of wind turbines or hay bales or anything like that. It’s a picture of scale. It’s meant to display the vastness of the rolling hills in Kansas, in a way that you can’t really get without something in the foreground and something else way in the background. Out west you can get these kinds of shots with mountains in the background that clearly conveys a sense of scale, but what do you do when you trade high peaks for…
Three Blades
One strange problem with photographing wind turbines is how to deal with the position of the blades. What position should they be in for a cool-looking picture? If you have never taken a picture like this before you might think that you would want the blades of your subject (in this case, the large turbine near the right side) to be positioned just like the one on the left: one blade straight up, and the other blades at the four- and eight-o’clock positions. Here’s the thing though…that position doesn’t convey movement. It’s weird, but it’s true. When you look at the turbine on the left it looks static and unmoving, even though in reality it was turning and churning in the breeze just like the rest. So what do you do? You could try to invert the position of the blades such that one is straight down and the other…
Hello Boys
One of my favorite movies of all time is Independence Day, in no small part due to Randy Quaid’s character Russel Casse, a former fighter pilot who now spends his days piloting a crop duster and occasionally spraying the wrong field. At the end of the movie, in a move of shining heroism, he sacrifices himself to defeat the alien invaders and save the day in a scene that still gives me chills when I watch it. I like to think that in an alternate reality Mr. Casse somehow survived the explosion (maybe the aliens teleported him? Maybe he has a magical ejector seat?) and he spent the rest of his days quietly flying his single-engine crop duster somewhere in the midwest. And if so, maybe he’s piloting this very airplane you see here. It could happen, right? Doubtful as that scenario might be, it’s still fun to imagine. And…
Dusting
Ok I’m going to be honest here: I don’t exactly know what’s happening in this picture. I mean, I get it on a conceptual level but I don’t know any pertinent details. This airplane, the same one from last week’s photo, is spraying a mist of…something…over a field of sorghum. Is it fertilizer? Pesticide? Who knows. (Not me, anyway) All I know for sure is this was a fun photo to take. This started with me driving from Oklahoma to Kansas, taking small highways and back roads as much as possible in order to see the scenery and have the ability to pull over for a break whenever I want to. As I was going east on Highway 15 I saw this crop duster doing its thing over a field just south of the road, so I pulled over to snap some photos. Ok, a lot of photos. Hundreds of…
N503TA
I can’t recall a time when I was able to take a picture like this, and I don’t imagine I will have the opportunity again anytime soon. It also shows the importance of preparedness, and also of simply having the dumb luck to be in the right place at the right time. I shot this when I was driving along Highway 15 in the middle of Kansas, and spotted a small yellow plane flying low over a field with a cloud of fertilizer billowing out behind it. It was a crop duster! I had only seen these once or twice in my life and I was thrilled to get the chance to witness one in action up close and personal. Thankfully I brought pretty much my entire camera kit with me on this particular trip so I pulled into a driveway, got out my D500 and 70-200 f/2.8 lens, and…
Harnessing the Wind
Spoiler alert: Over the next few weeks you’re going to see a lot of photos of wind turbines here on Weekly Fifty. I recently drove from Oklahoma to Nebraska, having not made that trip for a while due to the pandemic, and of course I brought my camera gear with me to take some shots along the way. I really enjoy taking back roads and two-lane highways as opposed to interstates because the scenery is so much more interesting, and because you can pull over almost any time you want to take photos or just stretch your legs. And sometimes you come across a scene like this that’s just begging to be photographed. One thing I’ve learned about taking pictures of these wind turbines is that you have to find a way to put them in context or give the audience a sense of scale. You can’t just take a…
Sun Spots
This picture looks a lot like the one I shared two weeks ago, but there’s some interesting differences too and a few things that, in my mind, elevate it above the other one. First of all, it doesn’t exactly follow the same compositional rules in that the subject it not illuminated against a bright spot of light in the background. There are lots of bright spots of course, but it’s not a dark background with one giant blob of light in the middle to accentuate the subject. Instead, in this picture, there’s a couple distinct elements that all come together to make the complete composition: Foreground elements such as the green leavesThe subject itself, with a reddish hue to offer contrast with the green leavesWhite spots in the background, which accentuate the subjectThe very dark background These four things work in unison and help create a picture that is much…
Umbrella
There’s a good photo in here somewhere, but I’m not sure how to coax it out. I shot this on my way to work one rainy morning in late August when I stumbled across this scene quite by accident. I biked to work while it was raining so my wife could have the car to get the kids to school and then drive herself to work. (Our other vehicle was in the repair shop getting worked on.) When I got to this bridge the rain had let up a bit, and I noticed this maroon umbrella just sitting there at the edge of the pavement exactly as you see here. Why did someone leave an open umbrella on the sidewalk? Were they going to return to come and get it? Should I take it with me so as not to knowingly leave litter lying around? I didn’t know the answer…
See the Light
In the past few months I have shared a handful of pictures like this here on Weekly Fifty, and I’ve learned that this is the type of image I really enjoy making. One single subject, usually a flower or plant or other similar thing, illuminated against a bright background but surrounded by darker elements of the background. I feel like I’m getting better at taking these but also at noticing situations where these types of images present themselves. Here is a magnolia seed pod set against the background of a magnolia tree, but shot in such a way that the spaces between the leaves crate a white spot to help the subject stand out–this is not a groundbreaking composition but it’s colossally fun to shoot these types of pictures because of the element of discovery and then fine-tuning the shot until you get what you want. To wit: when I…
Par 3
So, part of this picture was unintentional. Most of it, actually. All I wanted to do was take a picture of the “Hole 5 Par 3” sign with the disc golf hole way in the distance, kind of like an alternate version of the image I posted last week. Something about the trees on either side of the straightaway, combined with the overhead lighting, created an interesting scene that I thought would make for an interesting image. At least that was my plan until my son stepped up to toss his frisbee. (Or am I supposed to call it a disc? I have no idea.) Initially I was going to ask him to step aside so I could take a picture but then I thought I might as well incorporate him into it as a way of making the scene more interesting and dynamic. I had my D750 and 50mm…