Exploring the wonders of creation through a 50mm lens...and other lenses too.

I didn’t really know what to expect when I shot this, and I guess that kind of makes sense because I didn’t even plan on taking this picture at all in the first place. This was on a Sunday afternoon in January when, oddly, we were caught in a bit of a spring rain as opposed to winter snow. My wife was running a few errands and I had just returned home from the hardware store with our kids when they asked if they could ride their bikes around in the rain. Even though it was a bit chilly I told them to go right ahead since, let’s be honest, there’s few things more fun when you’re a kid than tearing through puddles on a bike :)

I did some work in the garage as they were zooming around and soon noticed a steady drip-drip-drip near the corner of the driveway where a bit of water was falling from the gutters overhead. I ran in to get my camera to see if I could capture one of the drops as it hit the tiny pool of water gathered below the gutter, and ended up with what you see here. It’s an interesting image but has some technical issues that are difficult for me to overlook, mainly the prominent back-focusing and the fact that I ended up using a slightly higher ISO than I’m normally comfortable with on my D7100. But it served as an interesting proof-of-concept and is something I’d like to explore a bit more in the future.

To get this shot on my D7100 I held it low to the ground and flipped over to Live View in order to get it focused properly. I could have used the optical viewfinder but didn’t feel like laying down on the soaking ground, and Live View turned out to work just fine especially considering that I’m a back-button focuser anyway :) I put my camera in Continuous High Speed mode and held the shutter down every time a drop was about to hit, which fired off a half-dozen pictures before filling the painfully small buffer on the camera. Doing all this in Live View was painfully slow so eventually I just used Live View to nail focus and then switched it off to fire off my bursts of shots. That’s probably what caused the focusing on this particular picture to be off by just a bit, and even though I wish I could have gotten a slightly clearer image I guess I don’t mind all that much and it’ll help me to work just a bit harder next time to make sure I really get things right.

Any idea what’s going on here? Go ahead, take a minute to think about it.

If you’re like me you might have drawn a rather violent conclusion–an explosion of some kind, or perhaps an earthquake or other such disaster. The relatively intact nature of the tree in the foreground as well as the structural integrity of the building in the background seem to point to an isolated incident that only affected a portion of the building, and the sheer level of debris and rubble makes one think of a scene that might have been played out on World News Tonight with an on-location reporter telling stories of conflict from deep inside a war zone.

Or, perhaps, the truth could be something else entirely. Watch what happens when I go back and reverse two key editing choices that I made during postproduction.

Aside from some color adjustments, the key things to note here are the fence in the foreground with the “Danger: Construction Zone” sign as well as one other notable difference: the Permit Parking Only notice affixed to the post. What you’re actually looking at here is the planned demolition of Cordell Hall, a building on the OSU campus that has been slated for removal for quite some time now. I first heard news that this building was going to come down several years ago but it wasn’t until January of 2018 that the process actually began, and from what I’ve heard it will be replaced with a lush green lawn adorned with perhaps a statue or other such ornament to honor one of OSU’s big donors, T. Boone Pickens.

The reason I posted it here on Weekly Fifty is partly because it’s not often I get the chance to take a picture of a building in mid-demolition, but also to demonstrate the power of photography and visual storytelling and the effect that a few simple edits can have on how a viewer interprets an image. I know I’m guilty of drawing conclusions almost immediately when I see pictures posted on social media and even in print, but if I take a little more time to investigate the story behind the image it might not be as strange or shocking as I might think. Some would say that the act of cropping a picture just a bit, or removing an unsightly blemish such as a metered parking sign, is merely an artistic choice and doesn’t impact the image as a whole. I would say that, as photographers, we just need to be careful and be aware of how our edits (and even our initial compositions, as I could have easily just moved to a different position when I shot this instead of cropping it and ended up with the same result) can change how our images are seen and interpreted.

That being said, it sure was fun to see this demolition as it progressed. My wife and I even drove our kids over, parked the car, and just watched as excavators and dump trucks laid waste to this building. It was like the world’s biggest IMAX screen, and I would be lying if I said the kids were the only ones who were enjoying watching it come down :)

Sometimes it’s fun to let your kids take the lead and see what happens.

I shot this when I was downtown with my wife and kids one warm November afternoon (a phrase that you wouldn’t hear too often back in Minnesota where I was born) on a fact-finding mission to the bike shop to see how much it would cost to repair my bicycle that had developed a pretty bad wobble in the rear wheel. After we dropped the two-wheeler off my wife went to another shop to look at clothes while I took the boys on a short walk just because it was nice out. We were thinking about going to a winter display that the city had set up a few blocks away but with kids it’s more about the journey than the destination, so when they asked if they could take a detour and explore a long space between two buildings I figured…well why not?

I had my D7100 with me and didn’t really plan on spending any significant time taking pictures, but it never hurts to be prepared. As the kids cautiously made their way into the narrow corridor I took out my camera and kind of crouched down close to the ground to follow them, almost like I was waddling like a duck. It only took a few seconds for them to throw caution to the wind and just run at full tilt down the passageway to the light on the other side, at which point they reversed course and came right back at me kicking leaves and debris up on all sides. It was a fun moment of serendipity and would have never happened had I insisted that they stay on the sidewalk :)

This photo also illustrates a big reason why I use auto-ISO in just about every shooting situation. The ISO performance of modern cameras is so good that, in my opinion, it’s just not worth worrying about anymore. I almost always use a minimum shutter speed of 1/160 (or faster) so I’m confident I will get as little motion blur as possible, which means all I need to do is set the aperture on my camera in order to get the right depth of field. As I pulled out my camera in is concrete-and-brick hallway I quickly dialed in an aperture of f/4 and let my camera take care of ISO and shutter speed, and the results speak for themselves. And for the record there are still instances when I like to take full manual control over my exposure settings, but honestly most of the time I just like to get on with my day, and get back to playing with my kids, rather than fiddling with buttons and dials on my camera.

This picture is kind of a cop-out, because it’s not exactly difficult to get. Sort of. I mean, it’s the Low Library on the OSU campus and anyone can walk by and snap a photo of it any time they want, so why bother using as this week’s photo here on Weekly Fifty? Because even though this is, by most accounts, a relatively common and simple picture there were some thing that made it unique such that I felt like it deserved a spot here on the blog.

I shot this on a foggy morning right before work when I had my camera with me and noticed the particular way in which the library and its well-lit interior stood in stark contrast to the dull gray sky and otherwise rather bland surroundings. I’d guess that in any given year we have maybe five to ten morning that are just thick with low-lying clouds, and often the light just doesn’t quite work out to get any type of interesting image before sunrise, so to get the library looking like this actually is somewhat different from the norm. Also there are no students present in the foreground, or really any people in the picture at all, which as anyone who has ever been to OSU will tell you is not all that common. Finally the uniform dull orange of the grass in the foreground, coupled with the gray overcast sky, gave the entire composition a feeling of cool melancholy that I found to be strangely compelling.

The editing was also a bit different for me, since I normally like a little more color and saturation in my images. Here I actually reduced the overall saturation just a bit and added a twinge more vignette than I usually do, because it really felt like it suited the mood of the photo. And maybe that’s the big takeaway for me here: this picture isn’t about creating art or a visually pleasing image per se, but more about capturing a mood. I’m not sure how well I actually succeeded, but if nothing else I hope it helps you the viewer think of an early morning with a bit of a slow pace–a hush or a held breath before the start of a busy day.

I gotta say, these little squirrels are tricky! They’re all over the place here at OSU and sometimes they literally let you walk right up to them without moving an inch. But then other times they scurry away at the first sign of a human! It’s like Forrest Gump said, you never know what you’re gonna get. That was certainly the case here, especially since I wasn’t actually trying to get a picture of a squirrel at all. I saw this little guy sitting on a cypress knee munching on some kind of nut or acorn, and had one of those “I can’t believe I might get this shot” moments. Every element was lining up perfectly: I had my camera, the light was good, the squirrel was kind of unaware of my presence, and…then I remembered I had my 50mm lens instead of something much better suited for this type of picture. But heeding Gump’s Words of Wisdom I went ahead and fired off a few shots (at f/1.8 to get a shallow depth of field even though I risked getting an out-of-focus rodent) and hoped for the best.

I wasn’t all that optimistic for the picture until I loaded it up into Lightroom and found that I could get away with cropping it quite a bit and still have a decent picture. That’s the problem with a 50mm lens: it’s just not that good for shooting long-distance shooting images of, say, a squirrel on a wooden stalagmite. But the nice thing about using it on a 24mp camera is that you can crop in quite a bit and still have plenty of sharpness and detail, provided you get your settings right and don’t miss focus. Such was the case here and even though a longer lens would have helped isolate the squirrel from the background I think I’m pretty happy with how it turned out.