Exploring the wonders of creation through a 50mm lens...and other lenses too.

So there I was, heading out for a short walk around Theta Pond after a busy morning at work, when my friend and coworker Gina saw that I had my camera in hand and mentioned that she had a photo opportunity for me. She said there were some Mexican Verbena flowers near our building that I might want to check out with my close-up filters, so instead of going around the pond I took a detour to a little flower bed near the parking garage where I came across the flowers you see in this week’s picture. What Gina mentioned to me that made this opportunity a little more special was that when most people look at these particular flowers they see a single object, when in fact each large purple flower is actually made up of several very tiny flowers. It’s the kind of detail I would normally overlook (and have overlooked many times, since I walked past this particular bed of flowers often) but adds a whole new rich layer to what is already a beautiful sight.

The trickiest part about getting this photo was the wind, because when shooting with a 50mm lens and +10 filter the depth of field is so shallow that even the tiniest subject movement will wreak havoc on the photo. There was just a hint of a breeze when I took this shot but it was enough to send my camera into a tizzy when as tiny little flower petals had a tendency to jitter back and forth just slightly. When this happens as I’m doing close-up work I put my camera in continuous high-speed mode and take a ton of shots hoping something is in focus, and almost every time I get a few pictures that I can use. I’m guessing this would be different if I were using an actual macro lens and not close-up filters, but until that happens this is the technique I’m stuck with :)

One other thing about this picture is the weird color cast. Look at how the greens in the top right corner are kind of desaturated and yellow-ish. I played around with tint and some other settings in Lightroom but in the end I think this is mostly just an artifact that happens when using close-up filters instead of a true macro lens. I could be wrong here, but when I use my +10 filter I find that I get strange coloring issues on my pictures sometimes. Maybe it has something to do with the way different wavelengths of light are bent and manipulated by the close-up filter, or maybe it’s all in my head. It is what it is though, and instead of trying to fix or change it I usually just settle on leaving the picture how it is and try to learn something for next time. The purple flower in the center is sharp, colorful, and really draws your attention which is what I was going for. And in that regard I think the photo worked out, so It’s all good.

So thanks to Gina for pointing me in the direction of this flower, and to anyone reading this who is looking for something interesting to photograph…try walking outside your house or office and taking just a bit of a closer peed at the world around you. You might be surprised at what you find.

It’s weird how, as I look through some of the pictures I’ve posted here on Weekly Fifty over the years, they seem to come in phases. Sometimes I’ll have a couple weeks of macro shots. Then insects or animals. And now this is the second week that I’ve posted a picture of a building with the sky behind it, and I promise you it’s entirely coincidental. I was riding my bike past Boone Pickens Stadium a few weeks ago on Friday at the end of the first week of the fall semester and when I looked up at Cordell Hall something about it kind of gave me pause. It’s an old building, and probably won’t even be here much longer with all the campus improvements going on right now, but it’s the kind of structure that has a bit of character to it.

It wasn’t until I got these images loaded into Lightroom that I noticed a little addition to the building: the crows sitting on the railing between the two chimneys. It made me think about what they were doing up there at 7:15am on a Friday morning: where they waiting fur the sun to poke over the stadium? (Which you can’t see, but is right behind me as I shot this picture.) Were they looking for food? Were they shooting the breeze before heading off to work? Perhaps they were pondering a journey to Mintaka III. Like last week’s picture I don’t think I will ever really know the answer, and I’m OK with that since I kind of like to think of my own even if I know it’s probably not accurate.

Also, just for fun I ran the RAW file through the Accent AI filter in a program called Luminar that I’ve been using lately.

In some ways I think the results here are superior to what I got when I massaged the RAW file in Lightroom, but in other ways…not so much. I like the rich blue in the sky but the building itself has developed a bit of a halo around it that I don’t find all that visually pleasing. Still, it’s a good example of how far you can take a RAW file if you have the right software. And if you’re not ready to shell out all the money for Photoshop, Luminar might be worth checking out. (Disclaimer: that’s not an ad or a paid promotion. I don’t do that sort of thing here on Weekly Fifty. It’s just me sharing my thoughts.)

This is a picture I’ve been thinking about for a long time, and it’s the kind of shot that I just can’t go out and get any time I feel like it. Whenever we take Highway 77 north of town to get to the turnpike we pass this house, and every time we drive by I wonder about this house and what it’s doing there. When was it built? Does anyone still live in it? If so, why is it so run-down? If not, who farms the land around it? I don’t know if I will ever find the answers to these questions and in some ways I kind of like not knowing since it lets me make up my own stories about what’s really going on in inside those walls.

Despite, or perhaps because of, the fact that I don’t know anything about this house I always think it would be a compelling picture to take but since my wife and I are either at the beginning or end of a multi-hour drive to Nebraska when we go past this location I’ve never stopped to take a picture. Never, that is, until I found myself driving solo after dropping off my two nieces who stayed with us for a week this past summer. Eager to get home to my family, I spent less than a minute actually taking pictures and honestly there weren’t a whole lot of options for composing the photo since I did not want to trespass on private property. I had my D200 and 50mm lens with me at the time, which was a bit fortuitous since it meant I was shooting with roughly a 75mm equivalent lens when you take the crop factor into consideration, and that allowed me to get a closer view of the house than I would have on my D750. (Though I suppose I could have just cropped in on a D750 photo to get the same result. But still.)

I was pleasantly surprised at how the overcast sky and brown grass complemented the run-down appearance of the house, as this image would have taken on an entirely different connotation if shot in springtime, or in the early morning, or on a clear day with bright blue sky. It’s not a creepy photo despite the abandoned appearance of the house, and to me it’s more of a curiosity than anything. I shot at f/4, 1/1500 second, ISO 400 to get the exposure I was aiming for and I think it all worked out quite nicely. I’m curious what you, my readers, think of the house. Not the image per se, but the house itself. What stories come to your mind when you see this house or others like it that seem to have been long since forgotten by the passing of time?

After several years of taking photos, many of which end up here on Weekly Fifty, I’m still not sure what I would say if you were to ask me what my favorite subject is to photograph. I like taking all sorts of pictures whether people, animals, flowers, landscapes, etc. Some I’d say show up more often than others and some types of pictures are better suited to a 50mm lens than others, but I think it would be safe to say that one of my favorite themes to illustrate with photography is that of transition. Obviously a picture is just a visual representation of a single moment in time, but there’s something special about taking a picture that somehow captures the ebb and flow of time as a concept that I find fascinating. I think that’s what drew me to this particular photo opportunity in the first place and it’s one reason the more I look at it the more I like it.

As per usual I don’t know what type of plant this is but I’m fairly certain it’s not a four-leaf clover. It’s just one cluster of leaves on a large bush that is on the east side of Willard Hall on the OSU campus, and even though it looks at first glance like it could have some kind of leprechaun-infused magical properties I highly doubt that is in fact the case. What drew me to this particular leaf (or leaves? I dunno) was the way it showed a subject in transition from a state of life and vibrance to wilt and decay. Not an altogether pleasant idea, but one that is compelling nonetheless.

As you might be able to guess I shot this with my close-up filters (I think it was my trusty +4 on this image) and with my creaky-but-gotta-love-it D200. The seals on that camera are all worn out so I had to be careful about not getting too much rain on it, but it only took a few seconds to get this shot so I don’t think I was in too much danger of damaging anything. I like how the rain made the leaves shine and sparkle even in the overcast light, and the tiny drop rolling down the bottom-right edge of the lower leaf adds a nice bit of motion to the image also.

Sometimes I’ll take pictures like this and then return to the same spot a day later and it always amazes me how much things can change in just a short amount of time. It’s good motivation for me to take pictures and not let my camera sit on the shelf, because I sometimes just don’t realize or have an appreciation for just how quickly time does indeed fly, how little of it we have, and how precious even simple moments like this really are.

This was a photo that came about entirely because of limitations including, but not limited to, the following:

• I was shooting with my super old D200, which meant I had to keep the ISO low on this rainy, overcast day.
• D200 has no Live View and certainly no flip-out screen. I had to hold the camera low to the ground and literally could not see what I was shooting when I took this picture.
• My particular D200 has some kind of glitch which causes the camera to not close down the aperture about 1 out of every 4 shots. So if you shoot at f/4 you’ll get a lot of shots that are way, way overexposed because the lens was open to f/1.8
• Because of the limitations of my gear I shot this and other pictures at f/1.8 knowing I couldn’t rely on the camera to reliably stop the aperture down
• It was rainy and my D200 has cracks in the rubber grips and seals all over the place. I had to be extra careful with it or I’d need a whole new camera in a hurry.

I haven’t shot with my D200 in a long time and it was fun to dust it off and go out to take some pictures, and even though I prefer my much newer full-frame D750 there’s just something special about using old gear and working within the limitations it has to offer. I like the feel of this particular camera, and the chunkiness and sense of durability I get from using its controls. Not having access to things like Live View forces a photographer to come up with interesting solutions to photographic challenges, and something about the whole process of taking this and other photos made me slow down and really consider the basics of photography a bit more.

As to the shot you see here, just out of the frame on the right side is Theta Pond and far in the distance you might even be able to see the red brick of my building on campus which is just a way of saying that there’s nothing inherently special about the location of this picture. If the sun were out the middle portion of the shot would have been severely overexposed, but the clouds, rain, and leaves on the ground all came together to form kind of a somber, contemplative scene that I found quite pleasant. Since I couldn’t use Live View and didn’t want to get my work clothes all muddy I basically held the camera to my eye from a crouching position, locked focus, and then put the camera down on a brick outcropping and just shot several pictures not knowing at all how they would turn out. It was a weird way of going about taking photos and nothing I would actually recommend, but I like how things turned out.