Exploring the wonders of creation through a 50mm lens...and other lenses too.

First, a disclaimer: I did not plan on doing two back-to-back photos of very similar scenes at the OSU campus. When I wrote this post I didn’t even realize that last week’s post was taken at almost the exact same spot using the same camera, but facing a different direction. So if you’re tired of pictures of OSU with the sun in the background, just wait until next week when I’m sure there will be an entirely different image :)

The act of taking this photo was somewhat serendipitous, as I didn’t intend to take it at all but things just sort of worked out to allow it to happen. I was biking to work on March 22, one day after the start of Spring, and saw that the clouds in the eastern sky were lit up like a fireworks show because of the sunrise in the west. I thought it might be an interesting photo opportunity so I parked my bike on the west side of Boone Pickens Stadium, got out my X100F…and it was a total bust. The lens on that camera is so wide that in addition to the clouds the picture also contained construction equipment, street lights, cars, and a host of other distracting elements in the foreground that detracted from the majesty of the scene. Plus, it was kind of cold and I just wanted to get to the office.

I hopped back on my bike and continued across campus when I saw another sight that I thought would make for an interesting photo: some tree flowers budding in the early morning light. So once again I got off, pulled out my camera…and it just wasn’t happening. What seemed like a scene that would make an interesting picture in my mind just wasn’t all that compelling when I tried to capture a photo with my camera. Then, as I was about to finish riding to my building, I turned around, looked to the east, saw the sunrise over the new Spears School of Business building and about lost my mind.

As with most sunset images this one doesn’t do justice to the actual scene, but I did take a few lessons into account that I had learned from earlier attempts at photographing similar settings. I shot RAW, underexposed the scene to preserve the highlights, used a smaller aperture of f/5, shot at a low ISO of 200, and most importantly, I didn’t spend too much time putzing around with my camera because in a few seconds I knew the scene would disappear as the sun crept over the horizon.

I did tweak the image a bit in Lightroom (you pretty much have to when working with sunrise/sunset photos to make the most out of the dynamic range captured by the image sensor) and removed a couple distracting elements like the blue campus emergency lights and…well, you can see the original here if you want:

Does my editing ruin the integrity of the image? I don’t think so, and even if it does, it’s a tradeoff I’m willing to make to get a picture like this. I hope you like looking at it as much as I liked taking it :)

This was a bit of an unexpected photo that didn’t really turn out how I was hoping, but then, I’m not exactly what I was even aiming for in the first place so I can’t really complain. I took this when my wife and I were walking around campus with some friends in mid-March and I noticed these flowers on a tree which, combined with the setting sun and the relatively empty brick pathway, made for what I thought would be an interesting composition. I had my X100F with me since it’s my go-to camera for everyday casual shooting and while it worked OK on this image I think using a 50mm on my D750 would have been a little better for what I had in mind.

Nevertheless, they say the best camera is the one you have with you, so I tried to make the most of what I had. Using my X100F I stopped down to f/11 to get a bit of lens flare and also keep the background blur from getting too out of control, and also switched from my usual Classic Chrome simulation to Velvia which is, as I understand it, better suited for nature and landscapes. I actually shot a couple similar images using Classic Chrome and didn’t really like the colors that much but Velvia gave me an image that was at least closer to what I was imagining. I also overexposed the image by more than two stops in order to keep the white flowers from being too dark.

This image represents a departure from the workflow I’ve used for several years now, which has been like this:

• Shoot in RAW, import to Lightroom, edit, export

Lately I just haven’t been as interested in the painstaking process of editing so I’m using JPEG more and more, and trying to get as much right in camera as I possibly can. So for this, and most of my casual (i.e. not for clients) shots my workflow is now this:

• Shoot in JPG, import to Lightroom or my phone, export

I know I could use RAW+JPG on my camera but in truth I just don’t care about editing the RAW files mostly because it takes so much time, and if I can get the picture right when I take it then I’m perfectly happy to forego the editing process altogether. It’s fine for casual shooting but on a picture like this, which probably should have some editing done to it, I’m finding that my new workflow isn’t quite ready for prime time. Perhaps I need to find more of a middle ground, or learn to use my camera better, or even just be happy with the results and move on. Either way it’s a fun process and I’m enjoying the ride :)

A few years ago my parents decided to replace their aging clothes washer with something a bit more modern and efficient, and they ended up getting one of those top-loading models without the giant central agitator that most washing machines have had for decades. My dad, his feet firmly planted in the concrete foundations of The Old School, didn’t trust that thing at all. When they first got it he was appalled at how little water it used and he thought there was no way it could clean his clothes, so he removed the magnetic latch from the top door in order that he might inspect its handiwork firsthand. He literally sat on a stool and watched it do an entire load of laundry just to make sure the washer was doing its job and, while they still have the machine, I’m not entirely sure he trusts it even to this day.

So, when we were visiting in March of this year my boys were fascinated at how they could watch the device clean clothes with the lid open. Just like their grandpa, they sat and watched it as it went through a load of laundry (fill-swish-rinse-drain-etc.) and I thought it would make for an interesting photo opportunity since you don’t normally get to see the inside of a washing machine. I used my Fuji X100F to get this shot which was great since the lens was wide enough to get a good view of the washer and I could use the rear screen to compose my shots too.

The only major issue was focusing, since the constant spinning motion confused my camera and never quite allowed for good autofocus. I ended up focusing manually and just kind of eyeballing it (even the focus-assist features, like peaking, were having trouble with the washer) and got several shots at various shutter speeds–some too fast, some too slow, and other like this one that were juuuust right. But you know what did it for me in this particular image? The fact that the three center…uh…arms, or whatever they are, are sitting right about at 10, 2, and 6 o’clock. I had other shots where they didn’t have that kind of symmetry and it just didn’t look right, but something about the way they lined up here was really pleasing from a visual standpoint.

So yeah, the next time you want an interesting photo-op, just try doing a load of clothes!

You can thank the Winter Olympics for this one. This past February my kids, as well as my wife and I, were caught up in the excitement of the various competitions especially the luge, the bobsled, the speed skating, and of course the snowboarding. We had a couple of snow days in the mix too which meant the kids were home from school and, as a bonus, I was able to burn through a ton of wood in our fireplace. (Some winters we don’t burn any wood at all since it’s so warm here in Oklahoma!) On this particular evening our boys were ready for bed early having taking their baths, brushed their teeth, and put on their PJs so they spent a little while just watching the fire before the Olympics came on and then, about a half hour later, heading for bed.

The kiddos were a little squirrelly so I must confess this image is just a bit staged in that I had to ask them to hold still for just a few seconds so I could take their picture, but overall I think it captures the general essence of the scene fairly well. Normally they’re not so quiet and serene but they knew I was trying to get a picture so they complied without too much fuss, and I was able to get just a couple of shots with my D750 + 50mm lens before they started jumping around and tackling each other. This was a bit unique in that I used my little Gorilla Pod tripod so I could shoot with a longer shutter of 1/6 second, hence the motion trails in the fireplace, and normally there’s no way I would ever get a decent image of my kids with such a slow shutter! I shot at f/2.8 to get a shallow depth of field which, compared to my other pictures shot at f/4, added a nice soft touch to the scene.

You might also notice a weirdly-colored blotch on the right side where I had to remove some pictures of my kids’ faces, along with their names, which were prominently displayed in a frame. I don’t like to show their faces here on Weekly Fifty so I used Lightroom to remove that part of the image and while I probably should have used Photoshop to make the edits a little less blatantly obvious, I just didn’t want to take the time to get too detailed. I hope it doesn’t mess with the overall impact of the image too much, but it’s the kind of thing I’m guessing you won’t see unless it’s specifically pointed out to you. #fingerscrossed

Isn’t it weird how the seasons work? In January it can be so cold that you long for warmer times of summer, but then in summer your mind can do a one-eighty and wish it were cold. In general I prefer warmer months to their winter counterparts, but at least here in Oklahoma we don’t often get buried under snow when it’s cold! (Such was not the case back in Minnesota…)

I shot this picture on an unseasonably warm day in January when it was about 50 degrees and felt like heaven. I was so thrilled with the nice weather that I went for a walk just to get out and be in nature for a bit instead of the office, and as luck would have it along the way I ran into my department head who I think was doing the very same thing! I had my X100F camera, still very new to me at the time, and was thrilled to be able to take pictures in public places without feeling too self-conscious about my big camera–something with which I have always struggled when using my Nikon DSLRs. The wide lens on the X100F makes it ideal for casual street-type photos like this one, and I used the Classic Chrome film simulation because I have found I really like the colors it gives me especially when shooting outdoors.

To get this image I sat on the ground, composed my shot, set my camera to 8fps drive mode, and waited for a biker to come across the scene. (Since it’s a college campus I knew I wouldn’t have to wait too long!) A few minutes later I saw this person approaching and as soon as they entered the scene I held down the shutter button, which resulted in about a dozen images taken in rapid succession such that I was able to pick this one picture out of the lot and feel really happy about it. I like how the cyclist is positioned in the space between the bell tower and the tree on the right, and also how the tree on the left gets close to (but doesn’t quite encroach on) the tower. Everything, as Sam Abell would say, occupies its own space within the frame and it’s one of those rare shots that came out looking pretty much exactly how I imagined when I set out to take it.