Exploring the wonders of creation through a 50mm lens...and other lenses too.

One thing I’m enjoying about my Macro lens is looking for photo opportunities close to the ground. Not necessarily finding things that are hidden or unseen, but things that I would normally just kind of overlook on a day-to-day basis. Not that such subjects are inherently more interesting or valuable or special than anything else, but just that it’s kind of fun to see what there is to see at your feet instead of at normal eye level. That’s how I came across this shot, which is some kind of plant (obviously) just poking out from a covering of leaves and wood chips on the south end of the Oklahoma State University campus.

Longtime Weekly Fifty readers know how often I have posted photos that I took while walking around Theta Pond, and this one continues the tradition quite nicely. I took this picture on a warm December afternoon when I needed to get out of my office and stretch my legs for a bit, so I put on a podcast (probably an episode of The Delta Flyers) and grabbed my D750 and 105mm f/2.8 macro lens and went for a bit of a stroll. As usual I just sort of ended up at the pond because it’s one of my favorite spots on campus, and noticed a patch of these brown-colored plants and thought I might be able to get a good shot of them.

One thing I’m still learning about my macro lens is how to effectively utilize and manipulate the aperture of my lens to get the shot I want. The 105mm focal length lets me get very close to subjects which means I have to be very careful when shooting wide open. Not necessarily for sharpness, but for depth of field–though sharpness too, but kind of as a byproduct of DOF since this lens is really sharp even wide open. I put my camera on the ground, flipped out the rear screen, set the aperture to f/8, focused on the red leaf in the center, and took a few photos.

No good. Depth of field was simply too shallow.

I ended up with an aperture of f/16 which I almost never shoot at on my 50mm lens, but I’m finding is much more reasonable on this macro lens than shooting at f/4 or f/2.8. I really like the colors, the leaves in the foreground, the white-and-brown background, and the overall mood and tone of this shot. It just feels like autumn and yet, also feels like something new and exciting is just around the corner too.

One of the reasons I bought a macro lens was to take close-up shots of bugs, insects, and other small animals. It’s a little tricky to do that during the winter though, because much of that kind of wildlife just isn’t around too often. Or, at least it’s not around too often where I live or where I am currently looking–maybe there’s lots of animals and I’m just not seeing them! In any case, I did happen to see this little fly sitting on a leaf while out walking around campus one chilly December afternoon and thought it might make an interesting image. In retrospect…I’m not really sure about this picture.

I don’t know what it was that I hoped to capture in this shot but something about the final image just doesn’t really work right for me. Maybe it’s the fact that the fly, while larger than most images of a fly I can recall capturing, just isn’t that interesting or compelling to look at. Its silhouette on the leaf is fine but unremarkable, and the yellow-and-green color palette is kind of bland and boring. I do like the highlights in the background and overall I don’t think this is a bad shot, just not a super good shot. It seems like the kind of picture someone would take while out wandering around with a macro lens without much to shoot. And it probably seems that way because that’s basically what happened :)

I do think it’s kind of neat that the fly opted to stick around for a few seconds before buzzing away, and whether that was due to the cold temperatures or something else (maybe it was more interested in something besides my giant honking camera lens) it is not lost on me that the situation that arose to make this photo possible was kind of unique even though the end result is somewhat pedestrian. If anything, this just gives me hope for spring and summer as I look for more opportunities to shoot with this macro lens.

At this point you have probably seen several images here on Weekly Fifty that follow this same basic setup: a single subject sitting on a reflective base in front of a blurry background. It’s a simple composition but it’s just so much fun to shoot these kinds of pictures that I wouldn’t be surprised if more show up in the future. So if you like them, great! But if you’re tired of these kinds of images…well, just be forewarned that there may or may not be more on the way. I honestly don’t know as I’m writing this post, but all I’m saying is it’s a super fun and creative style that takes very little effort. (Though it doesn’t hurt to have a good macro lens too!)

As you might have guessed this is an ornament from our Christmas tree which also gives you an idea of the scale of the image. It’s not super small–about 3 inches from top to bottom–so you might be wondering why I shot it with a macro lens. Why not a normal lens? The answer lies not in the idea of making small subjects appear large (or, rather, normal size) but in being able to focus very close to any subject you choose. Most lenses have a minimum focusing distance of about one to two feet depending on the focal length and other optical properties of the lens. That means that you cannot physically focus on objects that are closer than your outstretched hand, give or take a few inches. To get this shot I had to be able to focus much closer than that, in order to make the image just how I wanted.

Shooting at such close distance meant that the depth of field was insanely small–the figure’s eyes are sharp but the tassel on his hat is not, and the background of the miniature diorama is blurry even though it is less than an inch away. The background of the entire composition is, of course, just some crumpled-up aluminum foil but it appears bright and colorful because directly behind the camera is our Christmas tree, and nearly all other lights in the house were turned out which meant that the light you see here is almost entirely coming from a hundred tiny little colored bulbs.

While I have certainly shot images like this before, none of them had this degree of color and vibrancy, and I think this could very well end up being one of my favorite images that I have shot with my macro lens. It captures something unique that I don’t think I could get any other way, and it shows a certain point in time, Christmas, in a fun and interesting way. I am learning so much with this macro lens and I can’t wait to see what this new year holds for it and for my photography :)

This one was really fun to shoot. What you’re looking at is a very small snow globe, about 2.5 inches tall, sitting on a clear surface in front of a crumpled sheet of aluminum foil. The setup is really simple, but the result is a photo I am quite proud to have taken. This isn’t the first photo I have posted here on Weekly Fifty that follows a similar format (one single subject shot against blurry aluminum foil background) and it likely won’t be the last, mostly because these images are just so much fun to create. I learned how to take these kinds of photos years ago with my 50mm f/1.8 lens, and it’s even more fun to revisit this concept with my 105mm f/2.8 macro lens.

There were a few tricky aspects of getting this picture to look just right, but maybe not in the way you would think. The first problem was getting the aperture just right in order to make sure enough of the tree was in focus, but I also had to rotate the snow globe to be in just the right position so the tree was facing the proper direction. You might think that’s a pretty simple issue but it got to be rather complicated because I couldn’t get the entire tree in focus without using a small aperture, which I didn’t want to do. I eventually found a few branches that I wanted crystal clear, but then I also had to deal with the lighting issue.

See that giant window being reflected on the surface of the globe? Yeah, that’s our dining room window right behind my camera and it presented an interesting challenge. I needed a big light source to get this photo to look right, but I couldn’t exactly move the light source to keep its reflection from obscuring the tree. I didn’t even notice this at first, and it took a while to get everything to line up just right: the aperture (and thus, the depth of field), the focusing, and the window behind me. My wife offered a few helpful suggestions as well, and I was glad to have her input because it’s her snow globe in the photo, and in the end I’m super happy with how this turned out. And now I want to make more shots like this :)

One thing I am really enjoying about my new Macro lens is its power as a storytelling vehicle. I’m finding that some of my favorite close-up photos aren’t just everyday objects, but things in my life that are part of a larger story or narrative. Of course it’s fun to take pictures of ordinary everyday objects like leaves, flowers, bugs, and the like, but I’m finding that I get greater satisfaction out of shots like this one that carry some degree of meaning or tell a particular story.

My dad was a railroader for his entire adult life, starting at the age of 18 and working until he retired over 40 years later. He wore a lot of (hard)hats during those decades, worked first-, second-, and third-shift, and drove his bike instead of his car almost every single day. (When I was a kid we were a one-car family so his practice was partly out of necessity, but I think he just rode his bicycle because he enjoyed it more than driving a car.) When he finally punched the clock one last time, BNSF presented him with this watch as a way of commemorating his years of service–a watch that he wears to this day, and as you can tell by the nicks and scratches on its face, has seen more than its fair share of use. That’s something my dad taught me that has stuck with me over the years: if you really value something, you shouldn’t keep it in on a shelf or hidden in a box. You should use it, and in so doing, show your appreciation for the value it brings to your life.

When my parents were visiting for Thanksgiving I asked my dad if I could take a picture of his watch with my macro lens, and he gladly acquiesced. The setup for this photo was pretty simple: the watch and my camera were just sitting on my living room floor, and there was a big light source off to the left thanks to the door to our porch. I played around with the exact position of the watch, how I wanted the light to be reflected around the bezel, and what exactly I wanted to focus on which was particularly crucial given the extremely shallow depth of field. I decided the most important element was the “Railroad Approved” moniker, especially since the BNSF logo would still be discernible even though it was slightly blurry as a result. I intentionally set the hands to the classic ten-and-two position common for timepiece photography, but didn’t stop the second hand in order to capture just the smallest bit of movement and dynamic energy in the frame. This meant that I had to wait until it came around to roughly the 20-second mark to take a few shots, because it just looked strange in most other positions. (Try it for yourself–there’s a reason most watches are shot with the hour and minute hand at ten-and-two, and the second hand pointing downward.)

I quite like how this turned out, though it’s a far cry from actual timepiece photography with good lighting and a photographer who knows what he or she is doing. Still, I had fun taking it and I’m glad I could capture this bit of my dad’s history at the railroad with one simple photograph.