Exploring the wonders of creation through a 50mm lens...and other lenses too.

This picture is a bit of a departure from the kind of photos I normally post here on Weekly Fifty in that it’s not about the technique, the artistry, or anything of a technical nature. Rather, I am posting it entirely because of its personal meaning to me. Last week’s picture was the kind of image anyone could look at and see some type of meaning or emotion, or at least develop some kind of interpretation, from the picture of a building with a rainbow next to it. This, on the other hand, is kind of the opposite end of the spectrum and at first glance it’s probably not even obvious what you’re actually seeing here. And for once, I’m OK with that since it’s not about the picture itself but the story behind it which, I suppose, is the reason I like photography so much in the first place.

This image represents a transition of sorts, in that it’s the ending link of a paper chain I created with my two young boys in late July of this year. We made it so we could count down to the start of school, and for the next three weeks they removed a single link each morning with their mother after I left for work. While they were eating breakfast in the kitchen on the morning of August 19 I grabbed my D750, stuck on the 50mm lens, and ran into the boys’ bedroom to snap this image before they could take this link down. It’s being held to the top of their bunk beds by a bit of twine, and I thought I would frame the link in such a way so as to include a bit of the twine as well as the bed sheets so a casual viewer might have just a bit of context. Hopefully it’s obvious that you’re looking at a child’s bedroom here given the prints on the sheets, and if you have kids of your own you might remember similar first days of school and the excitement and anxiety that accompanies them. Of course we took other pictures on this morning but to me this was one of my favorites because it showed the last bit of the countdown that my kiddos have been doing for several weeks now, and I hope in years to come I can use this picture to remember the morning and others like it.

As for the technical details, the light was still very dim when I shot this so I went clear to f/2.8 in order to let as much in as possible. I didn’t want to go wider than that because I knew I would be working with an extremely shallow depth of field, and even at f/2.8 my camera still bumped the ISO all the way up to 6400. Thankfully the D750 handles noise extremely well even at those values, and the resulting image is pretty clean. (Though some of that is due to a bit of noise-reduction in Lightroom, the kind that would normally be applied in-camera if I was shooting JPG.) I toyed with a few different angles and ultimately settled on this one because there were just enough hints as to what you’re seeing without being completely obvious, and I like that it still left a bit of mystery hanging there as well.

Even though you can’t see it by looking at this image, when I look at it I think of my two boys heading off to school: my oldest (who is five) going to kindergarten, and his brother (who is nearly 3) to the early childhood center run by a local church. Certainly the other snapshots we took that morning mean a great deal to me and my wife, but it’s the little things like this that I don’t want to overlook in the hustle and bustle. Sometimes it’s the details that can make all the difference.

You want to know the difference between your iPhone camera and a DSLR with a 50mm lens? Take a look at this photo of the Low Library on the OSU campus, and now look at the one below which I took about 30 seconds later with my iPhone:

Granted the latter might be considered somewhat cheating as it’s actually a panoramic photo, but you get the point: the wide angle of view on an iPhone camera can fit way, way more in the frame than the limited angle of a 50mm lens. For the sake of comparison, if we adjusted for sensor size and compared these two imaging devices on a level playing field the focal length of the iPhone 5C on which the lower image was shot would be roughly 31mm while the 50mm on a crop-sensor camera (which is what I used to make the top image) would be 75mm. That’s a massive difference, and hopefully illustrates why the latter is so much more limiting: you honestly can’t fit much in the frame!

And yet, it is precisely this limitation that makes it such a useful lens. To wit: the top image, which I prefer to the bottom one, shows a much larger rainbow and has a more tightly controlled sense of composition. There are three elements in the frame, or four if you count the sky. The other image, while showing a larger view of the rainbow as a whole, feels somehow less majestic and almost cold and distant. True, it does convey a greater sense of scale due to the wide grassy lawn and the several buildings which are cradled gently beneath the colorful bow in the sky. However the top image seems, to me anyway, more intentional and purposeful. It seems to be about something, whereas the lower image is a picture of something. Perhaps it’s a a distinction that is either quite subtle or utterly meaningless, but if you handed me a mobile phone and a DSLR with a 50mm lens I would choose the latter even though it is so much more limiting. For, as I have learned over the years, it’s precisely within those limitations that I find myself being so much more creative.

Some of you might look at this shot and think I’m cheating or treading trodden trails here, but I promise that’s not my intention. What you are looking at is, yet again, a picture of a magnolia flower just like I shared a few weeks ago (and a few times over the years before that). Could I find something else to shoot? Sure. Have I? Definitely. So why do I continue to return to this specific type of flower? Mostly because it’s so fascinating, such a unique arboreal artifact to look at, and so much fun to photograph.

This is, of course, another image made with my close-up filters (if you’ve missed the past few weeks worth of posts you might want to scroll down and check them out) as you can probably tell already. It’s great fun having these filters now as these magnolia seed pods start to mature, as previously the closest I could get to them when taking pictures was about a foot and a half. It worked, and 24 megapixels allows me to get a little closer when cropping, but it’s not the same at all as being mere inches from the subject. In early August I posted a few pictures of similar seed pods in far earlier stages of maturity when you could see these curly little tendrils sticking up from the base of the flower (sorry for my lack of technical knowledge here. As Bones would say, I’m an educational technologist, not a botanist) and it was fun to revisit them much later in life as the seed pods were starting to balloon out.

Soon these pods will wither and die, and from them will appear a host of tiny red seeds that will be scattered, eaten, trampled, or maybe even planted in fertile ground and eventually give way to tiny little magnolia trees. And maybe that’s why I like taking these images repeatedly over the years: it’s a way to remind myself of the circle of life (cue Lion King theme) and document it one picture at a time.

If I’ve said it once I’ve said it a hundred times: overcast rainy days are ideal for photography, and this was shown to be true yet again the morning I took this picture. (Though I suppose you could make the argument that, given your unique style of photography, any number of other weather conditions would suit you better…but for me a an overcast and/or rainy day is the bee’s knees.) Couple the weather with a macro setup, whether true macro lens or close-up filter, and you’re good to go. That’s what happened here anyway, and what you are seeing is yet another attempt to capture the ever-elusive drop-on-a-leaf picture I have been striving for ever since I got my close-up filters. As often happens I was not seeking this specific image in particular, but happened to come across this scene as I was out with my camera one rainy morning and could hardly go on without at least attempting a shot. And I’m sure glad I did.

Though I have made a few images like this before, what I found unique to this particular setup is the fact that the big drop in the center is not really the focus of attention. Rather, it is the small image of what is being reflected in the drop that I wanted to try to highlight and all in all I think it worked out fairly well. You can’t really tell from the small image preview here but if you click through to the full-sized image on Flickr you will see that the bright white streak on the lower-left portion of the drop in the center is actually a reflection of the sky above, and what looks like the webbings on a leaf is actually the pattern created by tree limbs high above as they stretch across the clouds. This was an intentional choice on my part, and I spent a few minutes carefully focusing not really on the big drop of water but in such a way so as to get the reflection to be tack sharp.

I used my D7100 + 50mm combo to get this shot (f/8, 1/250 second, ISO 140), and screwed a +10 filter on to the end, and what I’m learning after using this setup over the past few months is just how enjoyable it is even though it’s not technically a true macro rig. I don’t have an actual macro lens, and a few filters are kind of a poor approximation of what’s required to get real high quality close-up images, but at the end of the day I’m having so much fun taking these types of shots that I just don’t care :) Whether you’re posting cell phone shots to Instagram or making fine art prints for galleries, the point is to get out there and shoot the photos you want and hopefully enjoy yourself in the process.

So…you know how last week I wrote about how going down to the pond to take photos of ducks and other waterfowl was almost like cheating? Well, here we go again! This is a squirrel right near Theta Pond on campus, and just like last week part of me feels like this picture shouldn’t even count because shots like this are almost too easy to get. My coworker and I went for a walk around the pond and she spotted this fella munching on some kind of nut or acorn, and as usual I had my camera with me which was, thankfully, my D7100 and not my D750 so I had the advantage of a little extra reach with the crop sensor. Squirrels near the pond are so used to people that they barely bat an eye when you walk past them which makes images like this seem almost a bit unfair because it’s not like this required hours of waiting or any real work whatsoever. But still, just like last week’s picture of a duck, I rather like this picture even if it is somewhat derivative. It was fun to take and I like the way it’s composed, so I’m posting it here because I can :)

I shot this at f/1.8 which regular readers know is something I generally avoid, but since I knew I wouldn’t be able to get super duper close to the squirrel I wanted to make the most out of whatever I had and try to get a shallow depth of field if at all possible. Even though the resulting image isn’t as zoom-in-to-a-hundred-percent tack-sharp as I would like, using the wide aperture gave me the bokelicious background I was going for and helped focus the viewer right on the eyes and face of the squirrel.

One weird thing happened as I was taking this photo, which I hope is not an indicator of a larger problem that might be down the road: my lens refused to autofocus, at least at first. I tried a few different options on the camera and checked that the lens was in M/A mode, but nothing worked. I was getting a little antsy because I thought this squirrel might hightail it outta there and I was in danger of missing what might be a really nice photo, so I quickly took a few shots while focusing manually. Then I took the lens off, put it back on, and everything worked just fine at which point I got the shot you see here. Much to my surprise though, the manually-focused images actually looked decent. Not great, but not bad either, and if I would have shot at f/2.8 or f/4 they probably would have been just fine. The takeaway for me was that I need to take a cue from the US Coast Guard: semper paratus. Always be prepared. If I had taken the time to double check my gear I would have fixed the problem before it even became a problem. Thankfully all’s well that ends well and I’m treating this as a lesson in what to make sure I do the next time :)